Anyhow, it's not Christmas yet so there's still plenty of time to consult this year's shortlist and make notes on potential Christmas gifts.
2013 Costa Novel Award shortlist
Kate Atkinson for Life After Life (Doubleday)
What if you had the chance to live your life again and again, until you finally got it right?
During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath.
What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to?
Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in life's bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.
During a snowstorm in England in 1910, a baby is born and dies before she can take her first breath.
What if there were second chances? And third chances? In fact an infinite number of chances to live your life? Would you eventually be able to save the world from its own inevitable destiny? And would you even want to?
Life After Life follows Ursula Todd as she lives through the turbulent events of the last century again and again. With wit and compassion, Kate Atkinson finds warmth even in life's bleakest moments, and shows an extraordinary ability to evoke the past. Here she is at her most profound and inventive, in a novel that celebrates the best and worst of ourselves.
Bernardine Bishop for Unexpected Lessons in Love (John Murray)
Cecilia Banks has a great deal on her plate. But when her son Ian turns up on her doostep with the unexpected consequence of a brief fling, she feels she has no choice but to take the baby into her life. Cephas's arrival is the latest of many challenges Cecilia has to face. There is the matter of her cancer, for a start, an illness shared with her novelist friend Helen. Then there is Helen herself, whose observations of Cecilia's family life reveal a somewhat ambivalent attitude to motherhood. Meanwhile Tim, Cecilia's husband, is taking self-effacement to extremes, and Ian, unless he gets on with it, will throw away his best chance at happiness.
Cecilia, however, does not have to manage alone. In a convent in Hastings sits Sister Diana Clegg who holds the ties that bind everyone not only to each other, but to strangers as yet unmet. As events unfold and as the truth about Cephas is revealed, we are invited to look closely at madness, guilt, mortal dread and the gift of resilience. No one will remain unchanged.
'Frank, courageous and entertaining. I felt better for reading it' Margaret Drabble
Maggie O’Farrell for Instructions for a Heatwave (Tinder Press)
It's July 1976. In London, it hasn't rained for months, gardens are filled with aphids, water comes from a standpipe, and Robert Riordan tells his wife Gretta that he's going round the corner to buy a newspaper. He doesn't come back. The search for Robert brings Gretta's children - two estranged sisters and a brother on the brink of divorce - back home, each wih different ideas as to where their father might have gone. None of them suspects that their mother might have an explanation that even now she cannot share.
Evie Wyld for All the Birds, Singing (Jonathan Cape)
Jake Whyte is the sole resident of an old farmhouse on an unnamed British island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.
It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.
It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.
2013 Costa First Novel Award shortlist
Sam Byers for Idiopathy (Fourth Estate)
Kate Clanchy for Meeting the English (Picador)
Literary Giant seeks young man to push bathchair. Own room in Hampstead, all found, exciting cultural milieu. Modest wage. Ideal 'gap year' opportunity. Apply Prys Box 4224XXC. 'It's only England,' said Mr Fox, 'just a few hours on the train. You can always come home.' 'Ah've never been though,' said Struan, 'never been South.' 'Then you should,' said Mr Fox, 'you really should.' So it is that Struan Robertson, orphan, genius, and just seventeen, leaves his dour native town of Cuik, and arrives in London in the freakish fine summer of 1989. His job, he finds, is to care for Phillip, dumbfounded and paralysed by a massive stroke, because, though two teenage children, two wives, and a literary agent all rattle round Phillip's large house, they are each too busy with their peculiar obsessions to do it themselves. As the city bakes, Struan finds himself tangled in a midsummer's dream of mistaken identity, giddying property prices, wild swimming, and overwhelming passions. For everyone, it is to be a life-changing summer. This is a bright book about dark subjects: a tale about kindness and its limits, told with love. Spiked with witty dialogue, and jostling with gleeful, zesty characters, it is a glorious debut novel from an acclaimed writer of poetry, non-fiction, and short stories.
Katherine has given up trying to be happy. Her cynical wit repels the people she wants to attract, and attracts the people she knows she should repel. Her ex Daniel, meanwhile, isn’t sure that he loves his new girlfriend. But somehow not telling her he loves her has become synonymous with telling her that he doesn’t love her, meaning that he has to tell her he loves her just to maintain the status quo.
When their former friend Nathan returns from a stint in a psychiatric ward to find that his mother has transformed herself into bestselling author and Twitter sensation ‘Mother Courage’ – Katherine, Daniel and Nathan decide to meet to heal old wounds. But will a reunion end well? Almost certainly not.
Both scathing invective on a self-obsessed generation and moving account of love and loneliness, ‘Idiopathy’ skewers everything from militant environmentalists to self-help quackery and announces the arrival of a savagely funny talent.Kate Clanchy for Meeting the English (Picador)
Literary Giant seeks young man to push bathchair. Own room in Hampstead, all found, exciting cultural milieu. Modest wage. Ideal 'gap year' opportunity. Apply Prys Box 4224XXC. 'It's only England,' said Mr Fox, 'just a few hours on the train. You can always come home.' 'Ah've never been though,' said Struan, 'never been South.' 'Then you should,' said Mr Fox, 'you really should.' So it is that Struan Robertson, orphan, genius, and just seventeen, leaves his dour native town of Cuik, and arrives in London in the freakish fine summer of 1989. His job, he finds, is to care for Phillip, dumbfounded and paralysed by a massive stroke, because, though two teenage children, two wives, and a literary agent all rattle round Phillip's large house, they are each too busy with their peculiar obsessions to do it themselves. As the city bakes, Struan finds himself tangled in a midsummer's dream of mistaken identity, giddying property prices, wild swimming, and overwhelming passions. For everyone, it is to be a life-changing summer. This is a bright book about dark subjects: a tale about kindness and its limits, told with love. Spiked with witty dialogue, and jostling with gleeful, zesty characters, it is a glorious debut novel from an acclaimed writer of poetry, non-fiction, and short stories.
Nathan Filer for The Shock of the Fall (HarperCollins)
‘I’ll tell you what happened because it will be a good way to introduce my brother. His name’s Simon. I think you’re going to like him. I really do. But in a couple of pages he’ll be dead. And he was never the same after that.’
There are books you can’t stop reading, which keep you up all night.
There are books which let us into the hidden parts of life and make them vividly real.
There are books which, because of the sheer skill with which every word is chosen, linger in your mind for days.
The Shock of the Fall is all of these books.
The Shock of the Fall is an extraordinary portrait of one man’s descent into mental illness. It is a brave and groundbreaking novel from one of the most exciting new voices in fiction.
Sathnam Sanghera for Marriage Material (William Heinemann)
If you've approached Bains Stores recently, you'd be forgiven for hesitating on doing so. A prominent window advert for a discontinued chocolate bar suggests the shop may have closed in 1994. The security shutters are stuck a quarter-open, adding to the general air of dilapidation. A push or kick of the door triggers something which is more grating car alarm than charming shop bell.
To Arjan Banga, returning to the Black Country after the unexpected death of his father, his family's corner shop represents everything he has tried to leave behind - a lethargic pace of life, insular rituals and ways of thinking. But when his mother insists on keeping the shop open, he finds himself being dragged back, forced into big decisions about his imminent marriage back in London and uncovering the history of his broken family - the elopement and mixed-race marriage of his aunt Surinder, the betrayals and loyalties, loves and regrets that have played out in the shop over more than fifty years.
Taking inspiration from Arnold Bennett's classic novel The Old Wives' Tale, Marriage Material tells the story of three generations of a family through the prism of a Wolverhampton corner shop - itself a microcosm of the South Asian experience in the country: a symbol of independence and integration, but also of darker realities.
This is an epic tale of family, love, and politics, spanning the second half of the twentieth century, and the start of the twenty-first. Told with humour, tenderness and insight, it manages to be both a unique and urgent survey of modern Britain by one of Britain's most promising young writers, and an ingenious reimagining of a classic work of fiction.
2013 Costa Biography Award shortlist
Gavin Francis for Empire Antarctica: Ice, Silence & Emperor Penguins (Chatto & Windus)
Empire Antarctica is the story of one man and his fascination with the world's loneliest continent, as well as the emperor penguins who weather the winter with him. This is travel writing at its very best.
Thomas Harding for Hanns and Rudolf: The German Jew and the Hunt for the Kommandant of Auschwitz (William Heinemann)
The extraordinary true story of the Jewish investigator who pursued and captured one of Nazi Germany's most notorious war criminals.
Lucy Hughes-Hallett for The Pike: Gabriele D’Annunzio, Poet, Seducer and Preacher of War (Fourth Estate)
In September 1919 Gabriele D’Annunzio, successful poet and occasional politician, declared himself Commandante of the city of Fiume in modern day Croatia. His intention – to establish a utopia based on his fascist and artistic ideals. It was the dramatic pinnacle to an outrageous career.
Lucy Hughes-Hallett charts the controversial life of D’Annunzio, the debauched artist who became a national hero. His evolution from idealist Romantic to radical right-wing revolutionary is a political parable. Through his ideological journey, culminating in the failure of the Fiume endeavour, we witness the political turbulence of early 20th century Europe and the emergence of fascism.
In ‘The Pike’, Hughes-Hallett addresses the cult of nationalism and the origins of political extremism – and at the centre of the book stands the charismatic D’Annunzio: a figure as deplorable as he is fascinating.
Why is it that some of the greatest works of literature have been produced by writers in the grip of alcoholism, an addiction that cost them personal happiness and caused harm to those who loved them? In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six extraordinary men: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever and Raymond Carver.
All six of these writers were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast. Often they did their drinking together - Hemingway and Fitzgerald ricocheting through the cafés of 1920s Paris; Carver and Cheever speeding to the liquor store in Iowa in the icy winter of 1973.
Olivia Laing grew up in an alcoholic family herself. One spring, wanting to make sense of this ferocious, entangling disease, she took a journey across America that plunged her into the heart of these overlapping lives. As she travels from Cheever's New York to Williams' New Orleans, from Hemingway's Key West to Carver's Port Angeles, she pieces together a topographical map of alcoholism, from the horrors of addiction to the miraculous possibilities of recovery.
Beautiful, captivating and original, The Trip to Echo Spring strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.
2013 Costa Poetry Award shortlist
Clive James for Dante, The Divine Comedy (Picador)
The Divine Comedy is the precursor of modern literature, and Clive James’s new translation – his life’s work and decades in the making – presents Dante’s entire epic poem in a single song. While many poets and translators have attempted to capture the full glory of The Divine Comedy in English, many have fallen short. Victorian verse translations established an unfortunate tradition of reproducing the sprightly rhyming measures of Dante but at the same time betraying the strain on the translator’s powers of invention. For Dante, the dramatic human stories of Hell were exciting, but the spiritual studies of Purgatory and the sublime panoramas of Heaven were no less so. In this incantatory new translation, James – defying the convention by writing in quatrains – tackles these problems head-on and creates a striking and hugely accessible translation that gives us The Divine Comedy as a whole, unified, and dramatic work.
Helen Mort for Division Street (Chatto & Windus)
Helen Mort for Division Street (Chatto & Windus)
From the clash between striking miners and police to the delicate conflicts in personal relationships, Helen Mort's stunning debut is marked by distance and division. Named for a street in Sheffield, this is a collection that cherishes specificity: the particularity of names; the reflections the world throws back at us; the precise moment of a realisation. Distinctive and assured, these poems show us how, at the site of conflict, a moment of reconciliation can be born.
Robin Robertson for Hill of Doors (Picador)
Robin Robertson for Hill of Doors (Picador)
Charged with strangeness and beauty, Hill of Doors is a haunted and haunting book, where each successive poem seems a shape conjured from the shadows, and where the uncanny is made physically present. The collection sees the return of some familiar members of the Robertson company, including Strindberg – heading, as usual, towards calamity – and the shape-shifter Dionysus. Four loose retellings of stories of the Greek god form pillars for the book, alongside four short Ovid versions. Threaded through these are a series of pieces about the poet’s childhood on the north-east coast, his fascination with the sea and the islands of Scotland. However, the reader will also discover a distinct new note in Robertson’s austere but ravishing poetry: towards the possibility of contentment – a house, a door, a key – finding, at last, a ‘happiness of the hand and heart’. Magisterial in its command and range, indelibly moving and memorable in its speech, Hill of Doors is Robin Robertson’s most powerful book to date.
Michael Symmons Roberts for Drysalter (Jonathan Cape)
Michael Symmons Roberts for Drysalter (Jonathan Cape)
A new poetry collection from the award-winning writer of Corpus and Edgelands. Winner of the 2013 Forward Poetry Prize for Best Collection and shortlisted for the 2013 T.S. Eliot Poetry Prize and 2013 Costa Poetry Award.
2013 Costa Children’s Book Award shortlist
Ross Montgomery for Alex, the Dog and the Unopenable Door (Faber and Faber)
Alex Jennings is a boy with a problem.
His mum's sent him away to boarding school because his father, the most famously failed explorer in the history of the Cusp, has escaped from hospital again, yelling 'squiggles'.
Make that two problems.
Now the evil Davidus Kyte and all his henchmen are after Alex, convinced he alone knows the meaning of the word 'squiggles'.
OK, make that three -
Alex Jennings is a boy with a lot of problems. But with the help of a talking dog and a girl with unfeasibly sharp teeth, he just might have what it takes to cross the Forbidden Lands, escape the evil Davidus Kyte, and find out what lies beyond the Cusp . . .
When their parents are killed in a fire, Titus Adams and his little sister Hannah are left to fend for themselves in the cruel and squalid slums of Victorian London. Taking shelter with his friend and saviour, Inspector Pilbury, Titus should feel safe. But though the inspector has just caught and hung a notorious child-murderer, the murders haven't stopped. Now everyone is a suspect, even the inspector himself, and unless Titus can find a way to end the killings, he will lose all that is dear to him. For this evil cannot be contained, even by death.
Chris Riddell for Goth Girl and the Ghost of a Mouse (Macmillan Children’s Books)
Chris Riddell for Goth Girl and the Ghost of a Mouse (Macmillan Children’s Books)
Ada Goth is the only child of Lord Goth. The two live together in the enormous Ghastly-Gorm Hall. Lord Goth believes that children should be heard and not seen, so Ada has to wear large clumpy boots so that he can always hear her coming. This makes it hard for her to make friends and, if she's honest, she's rather lonely. Then one day William and Emily Cabbage come to stay at the house, and together with a ghostly mouse called Ishmael they and Ada begin to unravel a dastardly plot that Maltravers, the mysterious indoor gamekeeper, is hatching. Ada and her friends must work together to foil Maltravers before it's too late!
Elizabeth Wein for Rose Under Fire (Electric Monkey)
The thrilling story of one young ATA pilot’s unforgettable journey through World War Two. This is Rose Under Fire. Rose Justice is a young American ATA pilot, delivering planes and taxiing pilots for the RAF in the UK during the summer of 1944. A budding poet who feels most alive while flying, she discovers that not all battles are fought in the air. An unforgettable journey from innocence to experience from the author of the best-selling, multi-award-nominated Code Name Verity. From the exhilaration of being the youngest pilot in the British air transport auxiliary, to the aftermath of surviving the notorious Ravensbruck women’s concentration camp, Rose’s story is one of courage in the face of adversity. Elizabeth Wein is fast growing into one of the most important names in historical books for young adults. In this, her second book for Egmont Press, she explores a World War 2 story of great significance and harrowing consequences. Something made more haunting by the backdrop of the real-life events of Nazi Germany
Elizabeth Wein for Rose Under Fire (Electric Monkey)
The thrilling story of one young ATA pilot’s unforgettable journey through World War Two. This is Rose Under Fire. Rose Justice is a young American ATA pilot, delivering planes and taxiing pilots for the RAF in the UK during the summer of 1944. A budding poet who feels most alive while flying, she discovers that not all battles are fought in the air. An unforgettable journey from innocence to experience from the author of the best-selling, multi-award-nominated Code Name Verity. From the exhilaration of being the youngest pilot in the British air transport auxiliary, to the aftermath of surviving the notorious Ravensbruck women’s concentration camp, Rose’s story is one of courage in the face of adversity. Elizabeth Wein is fast growing into one of the most important names in historical books for young adults. In this, her second book for Egmont Press, she explores a World War 2 story of great significance and harrowing consequences. Something made more haunting by the backdrop of the real-life events of Nazi Germany
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